10/04/2024
Plants offer a wide range of organic shapes that can be replicated in furniture and decor. For instance, tables or chairs can be designed to mimic tree branches, creating lightweight yet sturdy structures. Green walls, which bring nature directly indoors, not only improve air quality but also serve as a decorative element. Vases and lamps shaped like petals or leaves give interiors a natural and relaxing atmosphere.

Shells and other marine structures provide another source of inspiration for biomimetic design. Their smooth, flowing forms can be translated into furniture, such as chairs, lamps, or coffee tables, creating a fluid and dynamic aesthetic. Natural materials like curved wood or eco-friendly fabrics can be used to recreate these structures in a sustainable way.

Honeycombs represent another interesting form to replicate in design. Their hexagonal structures are both functional and aesthetically pleasing, ideal for modular shelving, room dividers, or decorative walls. Beyond their geometric beauty, honeycombs offer space-saving and structural support solutions.

Sustainability: Biomimetic design tends to use eco-friendly materials and low-impact production processes.

Visual Harmony: Natural forms create a visually relaxing and welcoming environment, in contrast to the rigid, artificial lines of much modern design.
Functionality: Drawing inspiration from nature often leads to smart and functional solutions, such as structural reinforcement inspired by honeycombs.

Biomimetic furniture is not just about aesthetics, but a commitment to sustainability and efficiency, bringing a piece of nature into modern homes.
Interior Designer since 1985
CEO & Founder, Italian Design in the World
Kitchen and bathroom are where the home meets water every day — preparation, cleaning, care, rest. That is why they are also where the gap between beautiful in rendering and sustainable in use shows first: droplets at joints, twisted paths, light that lies about the face, surfaces that demand obsessive cleaning.
In the city, those few square metres beyond the door are often the only truce between the flat and the noise outside. They are not a decorative extra: they are a border — different light, different wind, different rules. Yet too many balconies stay storage for crates, folding chairs and rushed tiles, as if design stopped at the glass.
The prejudice comes from years of institutional rooms where function crushed aesthetics. In residential work, things have changed: handles that are objects, walk-in showers that are elegance before aid, wide doors and near-invisible thresholds that are build quality before regulation. The gap is not budget: it is awareness that dignity lives in daily details — the ones you touch hundreds of times a year.
Open a catalogue of contemporary homes and you often find cover-worthy kitchens, theatrical bathrooms, living rooms that look like photo sets. Between one image and the next, a narrow corridor appears, lit by a sad single point — or a vestibule reduced to a knot between doors. That is not a technical detail: it is silent design about what life spends most of its time doing — passing through, pausing, shifting register, leaving one room before entering another.
Open plan has dominated the image of the contemporary home: few walls, few boundaries, maximum flexibility. The promise was freedom — kitchen in dialogue with the living room, light flowing, no "closed" rooms. Over time many have discovered the downside: noise travelling, no refuge, difficulty concentrating or switching off. The response isn't to go back to the closed-off house of the past, but to rethink the value of dedicated spaces: environments with a clear function that the body and mind learn to recognise.
Interior design has long favoured sight: colours, shapes, surfaces. Only recently have we started to talk about touch and smell. Hearing, by contrast, remains the most neglected sense at the design stage — yet it's the one we can't switch off. We live in homes that boom, reverberate, carry voices and noise from one room to another. The result is stress, fatigue, difficulty concentrating and resting.